issue 33,no.1(January 2023)

The Triple Task of Contemporary Literary and Art Criticism
Form and History: The Double Variation and Fusion Possibilities of Literary Criticism
In Defence of Criticism
Towards a Literary Criticism That Is in Tune with the Works, the Authors and the Readers
A Free Talk on Ai Wei’s Novels
“Architecture” as a Metaphor: The Spiritual Image of the Novel In the Mirror by Ai Wei
Epochal Texts and the Expression of Women’s Subjective Consciousness: A Brief Discussion on the Female Images in Novels by Ai Wei
Structural Analysis of Artistic Conception Based on Jingceng Concept: Re-Approaching Zong Baihua’s Theory of Artistic Conception
The Relationship between “Depth” of Zong Baihua’s Artistic Conception and German Aesthetics
The Activation of Wang Changling’s Theory of Wujing and Its Theoretical Effects: Based on the Perspective of Contemporary Western Environmental Aesthetics
On the New Style Changes in Chinese Literary Criticism in the 21st Century
The Dilemma and the Way Out of Academic Style of Literary Criticism
The Ping Dian (Comment and Critique) as a Style of Literary Criticism and Its Contemporary Significance: Starting from Mao Dun-Commented Version on Modern and Contemporary Literature
Constructing Contemporary Chinese Literary Classics in the Inheritance and Innovation of National Culture
The Jingdian, Zhengdian and Meidian of Chinese Literature
The Question of Classicization in Literary Creation and Adaptation: Centering on The White-Haired Girl
The Properties of Chinese Online Literature and Its Path of Classicization
Magical Narratives and Emotional Markers of Online Literature
Online Literature’s Transformation of Classical Novel Narratives