issue 34,no.2(April 2023)

The Practical Character, Way of Thinking and Value Appeal of Marxist Art Theory
An Artistic Production towards Communication: An Interpretation of Marx’s Aesthetic Characteristics
The “Young Germany” Origins of Engels’ Critique of “Tendentious Literature”
The Generating Context, Theoretical Connotation and Aesthetic Value of Marx and Engels’ Theory of Tragedy
Reconstructing the Grand Narrative of the Novel: On Fan Wen’s Novel
Writing Multidimensional Contemporary Chinese Stories: On Techniques and Concepts of Fan Wen’s The Turn of the Sun
The Evolution of Structural Art in Fan Wen’s Novels
Dialogue and Coexistence: On Fan Wen’s Imagination on Tibet
Comparison of “Wen-Jili” and “Text-Texture”
“Wen” and Its Life Significance from the Perspective of “Heaven and Man”
Restoring the Original Meaning of “Wen” from the Perspective of Confucian and Taoist Philosophy
Cyberspace and the Genealogy of Literary Criticism
Discourse Interpretation and Public Space Construction of Literary and Art Criticism in the Age of Mixed-Media
The Characteristics and Development Trend of Mixed-Media Literary and Art Criticism
The Form, Characteristics and Significance of Original Online Literary Criticism
Politics, Evidence and Misreading: Exclusive Strategies for Interpreting Confucian Classics—Centering on the Theory that Zuo Zhuan Is Not an Interpretation Work about the Spring and Autumn Annuals …
The Intuitive Interpretation and Its Ideological Origin in Zhong Rong’s Shipin
The Academic Origin of Tan Xian’s Literary Interpretation
Poetry and Poets in the Chinese and English Poetic Traditions
Routineness and Non-Routineness: The Position and Power Differences between Chinese and Western Classical Drama Cultures