issue 19,no.3(July 2019)

Problematiques in the Field of Literary Theories in Seventy Years
From “Aesthetic Culture Studies” to “Cultural Studies”: The Revelation of Culture Dimension in Contemporary Literary Theory
Integration and Innovation: Review of Studies of Literary Anthropology in China in 70 years
Breakthrough and Reconstruction of the Literary Theoretical Discourse in the Economic Transitional Period
The Light and Order of the Universe We See—Liu Cixin’s Methodology of Observing the World
Liu Cixin’s Science Fiction from the Viewpoint of Triple Aesthetical Culture
On the Imagination of the Human Community in The Three Body Problem
The Technical Optimism and Engineering Mind in Liu Cixin’s Science Fiction
Tendency of Delicacy: A Symbolic Category of Traditional Aesthetics
The Separation or Merge of “Spiritual Thought” or “Imagination”
“Way—Image—Utensil”: The Ontological Interpretation of Form Analysis Discourses
Mao Dun’s Nationalism and the Ethic of Narration in Midnight
On Mao Dun’s Historical View of “Appropriation of the Past for Presence”—Centering on Mao’s Review on Historical Dramas
Exemplar, Reader’s Taste and Vernacular Essay of “May Fourth”—On the Avant-garde Value of Midnight
Interpretation on the Logic of Qu Qiubai’s Cultural Hegemony
Hu Feng’s Revolutionary Realism Theory and the Sinicization of Marxist Literary Theories
Qian Zhongwen’s Criticism of Russian-Soviet Literature and Literary Theories