issue 41,no.1(January 2025)

• Toward a New Form of Contemporary Chinese Literature—Taking the “Chinese Spirit” as a Perspective
• Dialogue between Literature and Phenomenology
• The Transformation of Artistic Inquiry Methods and Their Transcendental Meaning
• The Internal Logic of the Popularization of Chinese Literature and Art in a Century and Its Practical Significance
• New Media•New Mass•New Literature and Art
• Between Daily Life and Literary Poetry
• Fantasy Narrative, Fictional Vistas, and Life “Back to the Heart”: A Study of Li Xiuwen’s Latest Novels Tiger Tiger and Others
• Between Legend and Reality: The Dual Allegory of Tiger Tiger
• The Modern Transformation of “Metamorphosis”: The Ancient Traditions and New Experiences in Tiger Tiger
• The Realistic Depiction and Historical Consciousness in Tiger Tiger
• The Formation of the Unity of Opposites of the Sublime and the Beautiful and Its Modern Transition
• The Sublime and Xionghun: Integration and Bifurcation in the Mutual Learning of Western and Eastern Aesthetic Thought
• Creating a New Sublime Voice in Chinese Literature—A Comparison of the Sublime in Chinese and Western Literature in “On the Power of Mara Poetry”
• A Re-Examination of Wei Xi’s Notion of Magnificence in the Context of Intercultural Aesthetics
• A Literary Field Where Reality and Virtuality Shine Together—A Brief Discussion on the Character Creation in Online Literature
• Reshaping the Image of Literary Characters from the Perspective of AI—Re-Exploring the Delayed Revenge of Hamlet