issue 34,no.2(April 2023)

• The Practical Character, Way of Thinking and Value Appeal of Marxist Art Theory
• An Artistic Production towards Communication: An Interpretation of Marx’s Aesthetic Characteristics
• The “Young Germany” Origins of Engels’ Critique of “Tendentious Literature”
• The Generating Context, Theoretical Connotation and Aesthetic Value of Marx and Engels’ Theory of Tragedy
• Reconstructing the Grand Narrative of the Novel: On Fan Wen’s Novel
• Writing Multidimensional Contemporary Chinese Stories: On Techniques and Concepts of Fan Wen’s The Turn of the Sun
• The Evolution of Structural Art in Fan Wen’s Novels
• Dialogue and Coexistence: On Fan Wen’s Imagination on Tibet
• Comparison of “Wen-Jili” and “Text-Texture”
• “Wen” and Its Life Significance from the Perspective of “Heaven and Man”
• Restoring the Original Meaning of “Wen” from the Perspective of Confucian and Taoist Philosophy
• Cyberspace and the Genealogy of Literary Criticism
• Discourse Interpretation and Public Space Construction of Literary and Art Criticism in the Age of Mixed-Media
• The Characteristics and Development Trend of Mixed-Media Literary and Art Criticism
• The Form, Characteristics and Significance of Original Online Literary Criticism
• Politics, Evidence and Misreading: Exclusive Strategies for Interpreting Confucian Classics—Centering on the Theory that Zuo Zhuan Is Not an Interpretation Work about the Spring and Autumn Annuals according to Gongyang School
• The Intuitive Interpretation and Its Ideological Origin in Zhong Rong’s Shipin
• The Academic Origin of Tan Xian’s Literary Interpretation
• Poetry and Poets in the Chinese and English Poetic Traditions
• Routineness and Non-Routineness: The Position and Power Differences between Chinese and Western Classical Drama Cultures