issue 19,no.3(July 2019)

• Problematiques in the Field of Literary Theories in Seventy Years
• From “Aesthetic Culture Studies” to “Cultural Studies”: The Revelation of Culture Dimension in Contemporary Literary Theory
• Integration and Innovation: Review of Studies of Literary Anthropology in China in 70 years
• Breakthrough and Reconstruction of the Literary Theoretical Discourse in the Economic Transitional Period
• The Light and Order of the Universe We See—Liu Cixin’s Methodology of Observing the World
• Liu Cixin’s Science Fiction from the Viewpoint of Triple Aesthetical Culture
• On the Imagination of the Human Community in The Three Body Problem
• The Technical Optimism and Engineering Mind in Liu Cixin’s Science Fiction
• Tendency of Delicacy: A Symbolic Category of Traditional Aesthetics
• The Separation or Merge of “Spiritual Thought” or “Imagination”
• “Way—Image—Utensil”: The Ontological Interpretation of Form Analysis Discourses
• Mao Dun’s Nationalism and the Ethic of Narration in Midnight
• On Mao Dun’s Historical View of “Appropriation of the Past for Presence”—Centering on Mao’s Review on Historical Dramas
• Exemplar, Reader’s Taste and Vernacular Essay of “May Fourth”—On the Avant-garde Value of Midnight
• Interpretation on the Logic of Qu Qiubai’s Cultural Hegemony
• Hu Feng’s Revolutionary Realism Theory and the Sinicization of Marxist Literary Theories
• Qian Zhongwen’s Criticism of Russian-Soviet Literature and Literary Theories